This morning, I’ll be on K-104 for an interview. Tomorrow, on KTVE, Channel 10. I must get word of this book out.
I’ve been selling some copies of Red River Fever lately. Here are some endorsements of and reactions to my first novel, Red River Fever. I think they reveal why the themes of my novel will always be current and relevant to people living in the South.
One of Rickey Pittman’s mottoes is a quote from Akira Kurosawa: “The role of the artist is to not look away.” *Red River Fever* never looks away. It is a vision of hell where evil is perfectly interpenetrated with ordinary life, while the good is superficial and eccentric. It is Dashiell Hammett’s *Red Harvest* reborn in the American South of the 1970s, a place where the lives of dogs and fish, and finally of men and women, have lost their intrinsic value. Where vitality has become a fever, a disease, and where love itself withers in the heat. Don’t be fooled by its localities of time and place. What Rickey is talking about is the condition of the American soul right now, not some faraway Gothic but what’s right in the mirror, if we dare to open our eyes and not look away–David Lenson, Professor, Comparative Literature, University of Massachusetts, Amherst.
Some haunting, graphic scenes. The characters really come to life. . . people just like that live in Hebert and Start. A powerful, frightening statement on living in the South.—-Angela Ford, Monroe, Louisiana.
We all know someone like Clifton, more serious about fun than work, but unlike the ones we know, Clifton seems to get meaner with each page of the book. . . Clifton Ray is verbal and mean as an old cur dog, and Pittman is very detailed and descriptive in his writing. I found the book an easy read, and Pittman has a way of communicating the feelings of the lowest gutter rat to the pain and suffering felt by the innocent victims . . .This is Rickey Pittman’s first novel, but I am sure not his last one. Mickey McLean, Column, “The Edge of the Woods,” Bastrop Daily Enterprise.
The music in your language is wonderful. Your use of alliteration, assonance, and consonance gives your words an incredible resonance. Not many authors can do that without detracting from the story line or trying to cover up for the lack of a story line. You worked it just right. You also managed to use slang and local dialect without sounding affected. That is hard to do well; not many authors pull it off successfully. You did. The characters were very believable and life-like. I especially enjoyed the way you pulled it all together at the end with the reference to the “Red River Valley” song. . . I like a book that makes me think.—Allison Diffey, Cleveland, MS.
A first novel is always a treat to read . . . I was moved by the descriptions which one can tell came directly from Pittman’s soul. For example, “Something about the house’s condition, like his own, saddened him.” Impressive writing.—Sharon Morrison, Librarian, Southeastern Oklahoma State University.
Red River Fever is very interesting. The characters and setting seem so real and intelligently thought out. That Clifton Ray is a bad boy and all the women love him—reminded me a little bit of my daddy in his younger days. Pittman did an excellent job of capturing the essence of the woman-charming, cocky, good ole boy! I was thinking, “Yeah, I’ll bet he can’t carry this one off,” because I know that character, but he surely did it, and did it well!” Should be made into a movie. It’s good!—Cyndi Butler, Dallas, TX.
I just finished reading the book last night. It was great. It was one of those books that you just can’t put down because you want to know right then and there what is going to happen to these people next. I can’t wait until your next one comes out. You have me hooked now. Ursula Braxton, Houma, Louisiana.
Overall, the novel left me with somewhat of a haunting feeling. And I like that. It’s not a traditional Hollywood ending (thank you). It reflects the darkest capabilities of humans. They cannot be ignored. Time and time again they have emerged, proving their existence, whether people want to acknowledge them or not. The evils come to the surface. This novel just portrays a fictitious stimulus, almost personifying what many people cannot explain in everyday life. . . this novel inspired thought.-–Regina Phillips, Durant Democrat, Durant, OK.
Pittman has a great talent for making characters come to life. Honestly, I can see so many people I know in these characters.—-Judith McDaniel, Monroe, Louisiana.